Throughout history, most Jewish and Christian believers have understood scripture not in the languages in which it was first written but rather in their own—in translation. In The Word, acclaimed Bible scholar John Barton explores how saints and scholars have negotiated the profound challenges of translating the Bible while remaining faithful to the original. In addition to considering questions of literal versus free translation, literary style, inclusive language, and more, Barton draws out scriptural translation’s role at critical junctures in religious history. Far from a mere academic exercise, biblical translation has shaped how we answer faith’s most enduring questions about the nature of God, the existence of the soul, and the possibility of salvation. 

The apparently unremarkable Natsumi lives in a modern Tokyo apartment with her husband and two sons: she does the laundry, goes to the supermarket, visits friends, and gossips with neighbors. Tracing her conversations and interactions with her family and friends as they blend seamlessly into her own infernally buzzing internal monologue, Mild Vertigo explores the dizzying reality of being unable to locate oneself in the endless stream of minutiae that forms a lonely life confined to a middle-class home, where both everything and nothing happens.

With shades of Clarice Lispector, Elena Ferrante, and Kobo Abe, this verbally acrobatic novel by the esteemed novelist, essayist, and critic Mieko Kanai—whose work enjoys a cult status in Japan—is a disconcerting and radically imaginative portrait of selfhood in late-stage capitalist society.

India, 1898. Pirbhai is the thirteen-year-old breadwinner for his family when he steps into a dhow on the promise of work, only to be taken across the ocean to labour on the East African Railway for the British. With no money or voice but a strong will to survive, he makes an impossible choice that will haunt him for the rest of his days and reverberate across generations.

Pirbhai’s children go on to thrive in Uganda during the waning days of British colonial rule. As the country moves towards independence and military dictatorship, Pirbhai’s granddaughters—sisters Latika, Mayuri, and Kiya—come of age in a divided nation, each forging her own path for the future. Latika is an aspiring journalist with a fierce determination to fight for what she believes in. Mayuri’s ambitions will take her farther away from her family than she ever imagined. And fearless Kiya will have to bear the weight of their secrets.

Forced to flee Uganda during Idi Amin’s brutal expulsion of South Asians in 1972, the family must start their lives over again in Toronto. Then one day news arrives that makes each generation question how far they are willing to go, and who they are willing to defy, to secure a place of their own in the world.

A masterful and breathtakingly intimate saga of colonialism and exile, complicity and resistance, A History of Burning is a radiant debut about the stories our families choose to share—and those that remain unspoken.

A couple coping with a recent loss are tasked with taking stock of a late biology enthusiast’s hoard. A support worker dedicated to rehabilitating young women suffering from, among other things, a certain unexpected effect of the climate apocalypse faces a truth that shatters the illusion separating her work and her personal life. An archaeologist formerly working in Syria struggles with her decision to flee from unrest, while the people she has left behind face an uncertain fate.

In Jennifer Falkner’s richly imagined first collection, past and present glancingly converge, making the familiar outlines of myth, history, and everyday life seem suddenly strange. With spare, elegant prose, Falkner introduces the reader to those whose narratives are written in the language of empty space. Above Discovery is a stunning debut collection from an author to watch.

pre-order a copy of Above Discovery from the webstore here

Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks.

So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I.

So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree.

But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.

With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang’s novel is timely, razor-sharp, and eminently readable.