The scene is Toronto, early 1990s, and at a house party Aubrey McKee falls in love with a bewitching stranger who talks him into stealing a piece of cake. This woman—a poet named Gudrun Peel—rapidly becomes the person for whom he would do anything at all. Together, Aubrey and Gudrun make a life of delirious idiosyncrasy. Surrounded by friends, frenemies, lovers, and rivals in the underground arts scene, the possibilities of their destiny remain radically open. But as their relationship deepens, and their creative and professional lives stumble, stall, and then suddenly blow up, Aubrey and Gudrun struggle against their own inexperience … as well as each other.

The much-anticipated follow-up to Alex Pugsley’s Aubrey McKee, The Education of Aubrey McKee is a campus novel in which the city of Toronto is the institute of higher education and the setting for a glittering story about the incandescence of first love.

Release date: May 7th

In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she’ll be working on. A recently established government ministry is gathering “expats” from across history to establish whether time travel is feasible—for the body, but also for the fabric of space-time.

She is tasked with working as a “bridge”: living with, assisting, and monitoring the expat known as “1847” or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin’s doomed 1845 expedition to the Arctic, so he’s a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by outlandish concepts such as “washing machines,” “Spotify,” and “the collapse of the British Empire.” But with an appetite for discovery, a seven-a-day cigarette habit, and the support of a charming and chaotic cast of fellow expats, he soon adjusts.

Over the next year, what the bridge initially thought would be, at best, a horrifically uncomfortable roommate dynamic, evolves into something much deeper. By the time the true shape of the Ministry’s project comes to light, the bridge has fallen haphazardly, fervently in love, with consequences she never could have imagined. Forced to confront the choices that brought them together, the bridge must finally reckon with how—and whether she believes—what she does next can change the future.

An exquisitely original and feverishly fun fusion of genres and ideas, The Ministry of Time asks: What does it mean to defy history, when history is living in your house? Kaliane Bradley’s answer is a blazing, unforgettable testament to what we owe each other in a changing world.

Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster, and, most notably, heir to a vast pharmaceutical empire. Lily couldn’t be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love.

In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can’t shake the sense she’s hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than it provides answers.

In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance—a story of trust, forgiveness, and finally coming home.

Exuberant and explosive, Real Americans is a social novel par excellence that asks: Are we destined, or made? And if we are made, who gets to do the making? Can our genetic past be overcome?

The fiber-optic cables that weave the World Wide Web, the copper veins of our electric grids, the silicon chips and lithium batteries that power our phones and cars: though it can feel like we now live in a weightless world of information—what Ed Conway calls “the ethereal world”—our twenty-first-century lives are still very much rooted in the material.

In fact, we dug more stuff out of the earth in 2017 than in all of human history before 1950. For every ton of fossil fuels, we extract six tons of other materials, from sand to stone to wood to metal. And in Material World, Conway embarks on an epic journey across continents, cultures, and epochs to reveal the underpinnings of modern life on Earth—traveling from the sweltering depths of the deepest mine in Europe to spotless silicon chip factories in Taiwan to the eerie green pools where lithium originates.

Material World is a celebration of the humans and the human networks, the miraculous processes and the little-known companies, that combine to turn raw materials into things of wonder. This is the story of human civilization from an entirely new perspective: the ground up.

order a copy of Material World from the webstore here

How do we live without the ones we love? Grief Is for People is a deeply moving and suspenseful portrait of friendship, and a book about loss that is profuse with life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in philosophy and art, hoping for a framework more useful than the unavoidable stages of grief.

For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, Sloane’s apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place.

When Russell dies exactly one month later, his suicide propels Sloane on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll of the pandemic.

Sloane Crosley’s search for truth is frank, darkly funny, and gilded with resounding empathy. Upending the “grief memoir,” Grief Is for People is a category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it rises precisely to console and challenge our notions of mourning during these grief-stricken times.

On the island of Sicily amid the Peloponnesian War, the Syracusans have figured out what to do with the surviving Athenians who had the gall to invade their city: they’ve herded the sorry prisoners of war into a rock quarry and left them to rot. Looking for a way to pass the time, Lampo and Gelon, two unemployed potters with a soft spot for poetry and drink, head down into the quarry to feed the Athenians if, and only if, they can manage a few choice lines from their great playwright Euripides. Before long, the two mates hatch a plan to direct a full-blown production of Medea. After all, you can hate the people but love their art. But as opening night approaches, what started as a lark quickly sets in motion a series of extraordinary events, and our wayward heroes begin to realize that staging a play can be as dangerous as fighting a war, with all sorts of risks to life, limb, and friendship.

Told in a contemporary Irish voice and as riotously funny as it is deeply moving, Glorious Exploits is an unforgettable ode to the power of art in a time of war, brotherhood in a time of enmity, and human will throughout the ages.

Release date: March 26th

Paris, 1885: Aubry Tourvel, a spoiled and stubborn nine-year-old girl, comes across a wooden puzzle ball on her walk home from school. She tosses it over the fence, only to find it in her backpack that evening. Days later, at the family dinner table, she starts to bleed to death.

When medical treatment only makes her worse, she flees to the outskirts of the city, where she realizes that it is this very act of movement that keeps her alive. So begins her lifelong journey on the run from her condition, which won’t allow her to stay anywhere for longer than a few days nor return to a place where she’s already been.

From the scorched dunes of the Calashino Sand Sea to the snow-packed peaks of the Himalayas; from a bottomless well in a Parisian courtyard, to the shelves of an infinite underground library, we follow Aubry as she learns what it takes to survive and ultimately, to truly live. But the longer Aubry wanders and the more desperate she is to share her life with others, the clearer it becomes that the world she travels through may not be quite the same as everyone else’s…

Fiercely independent and hopeful, yet full of longing, Aubry Tourvel is an unforgettable character fighting her way through a world of wonders to find a place she can call home. A spellbinding and inspiring story about discovering meaning in a life that seems otherwise impossible, A Short Walk Through a Wide World reminds us that it’s not the destination, but rather the journey—no matter how long it lasts—that makes us who we are.

After being expelled from their ancestral home in a not-so-distant future, Silvia and her mother finally settle at the Morningside, a crumbling luxury tower in a place called Island City where Silvia’s aunt Ena serves as the superintendent. Silvia feels unmoored in her new life because her mother has been so diligently secretive about their family’s past, and because the once-vibrant city where she lives is now half-underwater. Silvia knows almost nothing about the place where she was born and spent her early years, nor does she fully understand why she and her mother had to leave. But in Ena there is an opening: a person willing to give the young girl glimpses into the folktales of her demolished homeland, a place of natural beauty and communal spirit that is lacking in Silvia’s lonely and impoverished reality.

Enchanted by Ena’s stories, Silvia begins seeing the world with magical possibilities and becomes obsessed with the mysterious older woman who lives in the penthouse of the Morningside. Bezi Duras is an enigma to everyone in the building: She has her own elevator entrance and leaves only to go out at night and walk her three massive hounds, often not returning until the early morning. Silvia’s mission to unravel the truth about this woman’s life, and her own haunted past, may end up costing her everything.

Startling, inventive, and profoundly moving, The Morningside is a novel about the stories we tell—and the stories we refuse to tell—to make sense of where we came from and who we hope we might become.

When the United States invaded Iraq in 2003, its message was clear: Iraq, under the control of strongman Saddam Hussein, possessed weapons of mass destruction that, if left unchecked, posed grave danger to the world. But when no WMDs were found, the United States and its allies were forced to examine the political and intelligence failures that had led to the invasion and the occupation, and the civil war that followed. One integral question has remained unsolved: Why had Saddam seemingly sacrificed his long reign in power by giving the false impression that he had hidden stocks of dangerous weapons?

The Achilles Trap masterfully untangles the people, ploys of power, and geopolitics that led to America’s disastrous war with Iraq and, for the first time, details America’s fundamental miscalculations during its decades-long relationship with Saddam Hussein. Beginning with Saddam’s rise to power in 1979 and the birth of Iraq’s secret nuclear weapons program, Steve Coll traces Saddam’s motives by way of his inner circle. He brings to life the diplomats, scientists, family members, and generals who had no choice but to defer to their leader—a leader directly responsible for the deaths of hundreds of thousands of Iraqis, as well as the torture or imprisonment of hundreds of thousands more. This was a man whose reasoning was impossible to reduce to a simple explanation, and the CIA and successive presidential administrations failed to grasp critical nuances of his paranoia, resentments, and inconsistencies—even when the stakes were incredibly high.

Calling on unpublished and underreported sources, interviews with surviving participants, and Saddam’s own transcripts and audio files, Coll pulls together an incredibly comprehensive portrait of a man who was convinced the world was out to get him and acted accordingly. A work of great historical significance, The Achilles Trap is the definitive account of how corruptions of power, lies of diplomacy, and vanity—on both sides—led to avoidable errors of statecraft, ones that would enact immeasurable human suffering and forever change the political landscape as we know it.

Many of the animals we encounter in everyday life, from pets and farm animals to the wild creatures of field and forest, have remained the same since medieval times. But the words used to name and describe them have often changed beyond recognition, starting with the Old English word for “animal” itself, deor (pronounced DAY-or). In The Deorhord, Hana Videen presents a glittering Old English bestiary of animals real and imaginary, big and small, ordinary and extraordinary—the good, the bad, and the downright baffling.

From gange-wæfran or walker-weavers (spiders) and hasu-padan or grey-cloaked ones (eagles) to heafdu swelce mona or moon-heads (historians still don’t know!), The Deorhord introduces a world both familiar and strange: where ants could be monsters and panthers could be your friends, where dog-headed men were as real as elephants, and where whales were as sneaky as wolves. The curious stories behind these words provide vivid insights into the language, literature, and lives of those who spoke Old English—the language of Beowulf—more than a thousand years ago.

A delightful journey through the weird and wonderful world of Old English, The Deorhord is a magical menagerie of new creatures and new words for the modern englisc reader to discover.

On the last day of December 2009, Kate Zambreno, then an unpublished writer, began a blog called “Frances Farmer Is My Sister,” arising from her obsession with literary modernism and her recent transplantation to Akron, Ohio, where her partner held a university job. Widely reposted, Zambreno’s blog became an outlet for her highly informed and passionate rants and melancholy portraits of the fates of the modernist “wives and mistresses,” reclaiming the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers’ muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community of writers and devised a new feminist discourse of writing in the margins and developing an alternative canon. 

In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it—she traces the genesis of a cultural template that consistently exiles feminine experience to the realm of the “minor,” and diagnoses women for transgressing social bounds. “ANXIETY: When she experiences it, it’s pathological,” writes Zambreno. “When he does, it’s existential.” With Heroines, Zambreno provided a model for a newly subjectivized criticism, prefiguring many group biographies and forms of autotheory and hybrid memoirs that were to come in the years to follow. A book that has become its own canon, Heroines was named one of the “50 Books that define the past 5 Years in Literature” by Flavorwire, an “Essential Feminist Manifesto” by Dazed, and one of the “50 Greatest Books by Women” in Buzzfeed.

A man comes to awareness in a cold church in the Icelandic countryside, not knowing who he is, why he’s there or how he arrived, with a stranger staring mockingly from a few pews back. Startled by the man’s cryptic questions, he leaves—and plunges into a history spanning centuries, a past pressed into his genes that sinks him closer to some knowledge of himself. A city girl is drawn to the fjords by the memory of a blue-eyed gaze, and a generation earlier, a farmer’s wife writes an essay about earthworms that changes the course of lives. A pastor who writes letters to dead poets falls in love with a faraway stranger, and a rock musician, plagued by cosmic loneliness, discovers that his past has been a lie. Faced with the violence of fate and the effects of choices, made and avoided, that cascade between them, each discovers the cost of following the magnetic needle of the heart.

Incandescent and elemental, hope-filled and humane, Your Absence Is Darkness is a comedy about mortality, music, and the strange salve of time, and a spellbinding saga of death, desire, and the perfect agony of star-crossed love.

Release date: March 5th

Once an ambitious and promising student at an elite university in Paris, Maia is now 26, living in Milan, and stuck in a dead-end job at a cafe and a dysfunctional relationship with an older man. Until one day her life seems to change: thanks to a friend’s recommendation, and despite not knowing anything about social media, she is hired to work for Gloria, an 18-year-old influencer with millions of followers.

Slowly, Maia understands that her disdain for the world of influencers is precisely why she was chosen for the job: as an outsider, Maia can keep Gloria grounded, tethered to reality—remind her that the image she projects online is only an illusion.

As the two women weave a complex and intense relationship, however, it is Maia’s life that starts to unravel. Exposed to the tricks and hypocrisy of social media, Maia is increasingly unable to avoid confronting the lies she’s been telling herself. The closer she gets to Gloria, the more porous the boundary between their feelings and identities becomes, in a dangerous game of mirrors that threatens Maia’s very sense of self.

Sharp, wry, and absorbing, The Other Profile is a revealing exploration of the light and dark of human relationships in the digital age.

You May Never See Us Again is the only definitive story of David and Frederick Barclay – commonly known as the Barclay brothers. Born poor, these enigmatic twins built one of the biggest fortunes in Britain together from scratch and spent six decades at the epicentre of British business, media and politics. Their empire, said to be worth £7bn at its height, included Littlewoods, the Ritz Hotel, The Daily Telegraph and the channel island of Brecqhou. They were major advocates for Brexit and well-connected with influential politicians including Margaret Thatcher, Boris Johnson and Nigel Farage.

And yet despite their fortune and influence, their fiercely guarded desire for privacy has meant that their story remained largely unknown – until a very public family dispute pitched Barclay against Barclay in the High Court.

Journalist Jane Martinson unravels the fascinating story of these once inseparable billionaire brothers. Through their lives she offers compelling insights into post-war Britain, from the conditions that enabled their way of doing business to thrive through to the tightly enmeshed webs of influence between capitalism, politics and the media that shape Britain today.

We tend not to talk about books and war in the same breath—one ranks among humanity’s greatest inventions, the other among its most terrible. But as esteemed literary historian Andrew Pettegree demonstrates, the two are deeply intertwined. The Book at War explores the various roles that books have played in conflicts throughout the globe. Winston Churchill used a travel guide to plan the invasion of Norway, lonely families turned to libraries while their loved ones were fighting in the trenches, and during the Cold War both sides used books to spread their visions of how the world should be run. As solace or instruction manual, as critique or propaganda, books have shaped modern military history—for both good and ill. 

With precise historical analysis and sparkling prose, The Book at War accounts for the power—and the ambivalence—of words at war.

Born Kathleen to an immigrant Irish farming family in southern Ontario, Kit McNair has been a troublesome changeling since, at ten, they fell through the river ice and drowned—only to be nursed back to life by their mother’s Celtic magic. A daredevil in boy’s clothes, Kit chafes at every aspect of a farmgirl’s life, driving that same mother to distraction with worry about where Kit will ever fit in. When Rebekah Kromer, an elegant German-Canadian doctor’s daughter, moves to town with her parents in April 1939, Rebekah has no doubt as to who 19-year-old Kit is. Soon she and Kit, and Kit’s older brother, Landon, are drawn tight in a love triangle that will tear them and their families apart, and send each of them off on a separate path to war. 

Landon signs up for the Navy. Kit, now known as Christopher, joins the Royal Air Force, becoming a bomber navigator relied on for his luck and courage. Rebekah serves with naval intelligence in Halifax, until one more collision with Landon changes the course of her life and draws her back to the McNair farm—a place where she’d once known love. Fallen on even harder times, the McNairs welcome all the help she is able to give, and she believes she has found peace at last. Until, with the war over, Kit and Landon return home.

Told in the vivid, unforgettable voices of Kit and Rebekah, The Cure for Drowning is a powerfully engrossing novel that imagines a history that is truer than true.

Saba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past, haunted by the places and people they left behind.

When Irakli decides to return to Georgia, pulled back by memories of a lost wife and a decaying but still beautiful homeland, Saba and Sandro wait eagerly for news. But within weeks of his arrival, Irakli disappears, and the final message they receive from him causes a mystery to unfold before them: “I left a trail I can’t erase. Do not follow it.”

In a journey that will lead him to the very heart of a conflict that has marred generations and fractured his own family, Saba must retrace his father’s footsteps to discover what remains of their homeland and its people. By turns savage and tender, compassionate and harrowing, Hard by a Great Forest is a powerful and ultimately hopeful novel about the individual and collective trauma of war, and the indomitable spirit of a people determined not only to survive, but to remember those who did not.

It was supposed to be a moment of great optimism, a cause for jubilation. The Congo was at last being set free from Belgium—one of seventeen countries to gain independence in 1960 from ruling European powers. At the helm as prime minister was charismatic nationalist  Patrice Lumumba. Just days after the handover, however, the Congo’s new army mutinied, Belgian forces intervened, and Lumumba turned to the United Nations for help in saving his newborn nation from what the press was already calling “the Congo crisis.” Dag Hammarskjöld, the tidy Swede serving as UN secretary-general, quickly arranged the organization’s biggest peacekeeping mission in history. But chaos was still spreading. Frustrated with the fecklessness of the UN and spurned by the United States, Lumumba then approached the Soviets for help—an appeal that set off alarm bells at the CIA. To forestall the spread of Communism in Africa, the CIA sent word to its station chief in the Congo, Larry Devlin: Lumumba had to go.

Within a year, everything would unravel. The CIA plot to murder Lumumba would fizzle out, but he would be deposed in a CIA-backed coup, transferred to enemy territory in a CIA-approved operation, and shot dead by Congolese assassins. Hammarskjöld, too, would die, in a mysterious plane crash en route to negotiate a cease-fire with the Congo’s rebellious southeast. And a young, ambitious military officer named Joseph Mobutu, who had once sworn fealty to Lumumba, would seize power with U.S. help and misrule the country for more than three decades. For the Congolese people, the events of 1960–61 represented the opening chapter of a long horror story. For the U.S. government, however, they provided a playbook for future interventions.

Independent filmmaker Mary Haverstick thought she’d stumbled onto the project of a lifetime—a biopic of aviation pioneer Jerrie Cobb, the key figure in a group of extraordinary women who in 1960 passed the same tests as the legendary male astronauts of the Mercury 7 but never went to space. Just as casting was set to begin, Haverstick received a mysterious warning from a government agent; soon she began to suspect that there was more to Jerrie’s story than what met the eye. As she dug deeper, she discovered that Jerrie’s life shadowed that of a mysterious CIA agent named June Cobb, whose espionage career traced an arc of intrigue from the jungles of South America to Fidel Castro’s Cuba, to the communist literary circles in Mexico City—and ultimately into the dark heart of the Kennedy assassination in Dallas.

Haverstick’s attempt to learn the truth directly from Jerrie would plunge her into a cat-and-mouse game that stretched across a decade, deep into a thicket of coded CIA files. As she uncovered a remarkable set of mostly unknown women whose high-stakes intelligence work left its only traces in redacted files, she also found shocking new clues about what really happened at Dealey Plaza in 1963. Offering fresh insight into the Kennedy assassination and a vivid picture of women in midcentury intelligence, A Woman I Know brings to life the astonishing duplicities of the Cold War intelligence game, a world where code names and hidden identities were the lifeblood of spies bent on seeking advantage by any means necessary.

A slender novel of epic power, Orbital deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live. 

Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.

In one of the most acclaimed novels of the year, her first in over a decade, Claire Kilroy takes us deep into the mind of her unforgettable heroine.

Exploring the clash of fierce love for a new life with a seismic change in identity, she vividly realises the tumultuous emotions of a new mother. As her marriage strains and she struggles with questions of love, autonomy creativity and the passing of time, an old friend makes a welcome return – but can he really offer a lifeline to the woman she used to be?

The summer before his senior year in college, Greg Melville worked at the cemetery in his hometown, and thanks to hour upon hour of pushing a mower over the grassy acres, he came to realize what a rich story the place told of his town and its history. Thus was born Melville’s lifelong curiosity with how, where, and why we bury and commemorate our dead.

Melville’s Over My Dead Body is a lively (pun intended) and wide-ranging history of cemeteries, places that have mirrored the passing eras in history but also have shaped it. Cemeteries have given birth to landscape architecture and famous parks, as well as influenced architectural styles. They’ve inspired and motivated some of our greatest poets and authors—Emerson, Whitman, Dickinson. They’ve been used as political tools to shift the country’s discourse and as important symbols of the United States’ ambition and reach.

But they are changing and fading. Embalming and burial is incredibly toxic, and while cremations have just recently surpassed burials in popularity, they’re not great for the environment either. Over My Dead Body explores everything about cemeteries—history, sustainability, land use, and more—and what it really means to memorialize.

Paul Auster’s brilliant eighteenth novel opens with a scorched pot of water, which Sy Baumgartner — phenomenologist, noted author, and soon-to-be retired philosophy professor – has just forgotten on the stove.

Baumgartner’s life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next forty years, and back to Baumgartner’s youth in Newark and his Polish-born father’s life as a dress-shop owner and failed revolutionary.

Rich with compassion, wit, and Auster’s keen eye for beauty in the smallest, most transient moments of ordinary life, Baumgartner asks: Why do we remember certain moments, and forget others? In one of his most luminous works and his first novel since the Booker-shortlisted tour-de-force 4 3 2 1, Paul Auster captures several lifetimes.

Phoebe Forde has a new home, a new name, and is newly thirty. An Irish transplant and PhD candidate, she’s overeducated and underpaid, but finally settling into her new life in Copenhagen. Almost three years into her gender transition, Phoebe has learned to move through the world carefully, savoring small moments of joy. After all, a woman without a past can be anyone she wants. But an unexpected visit from her ex-girlfriend Grace brings back memories of Dublin and the life she thought she’d left behind. Over the course of a weekend, their romance rekindles into something sweet and radically unfamiliar as Grace helps Phoebe navigate the jagged edges of nostalgia and hope.

Written with wit and warmth, Wild Geese is a tale of dislocations and relocations, encounters, and accidents: a novel of past lives, messy feelings, and the desire to start afresh.