Many of us encounter a globe as children. We find a grown-up and ask, “Where are we?” They spin the globe and point to a minuscule dot amidst a massive expanse of sea and land. Thousands of questions follow. A profound convergence of art and science, a globe is the ultimate visualization of our place in our galaxy and universe. To be a globemaker requires a knowledge of geography, skilled engineering, drawing, and painting, and only a few people in history have ever really mastered the craft.

When Peter Bellerby set out to make a globe for his father’s eightieth birthday, after failing to find a suitable one to purchase, he had no idea where the process would lead. He went on to establish Bellerby & Co, one of the only artisan globemakers in the world. The Globemakers brings us inside Bellerby’s gorgeous studio to learn how he and his team of cartographers and artists bring these stunning celestial, terrestrial, and planetary objects to life. Along the way he tells stories of his adventure and the luck along the way that shaped the company.

A full-color photographic portrait of a lost art, The Globemakers is an enlightening exploration of globes, or “earth apples,” as they were first known, and their ability to show us ourselves and our place in an infinite universe.

In Melissa Broder’s astounding new novel, a woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path, thanks to a receptionist who recommends a nearby hike.

Out on the sun-scorched trail, the woman encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door. So she enters it. What awaits her inside this mystical succulent sets her on a journey at once desolate and rich, hilarious and poignant.

This is Melissa Broder at her most imaginative, most universal, and finest. This is Death Valley.

In March 2016, in a nondescript apartment on the outskirts of Rome, Manuel Foffo and Marco Prato, two “ordinary” young men from good families, brutally murdered twenty-three year old Luca Varani. News of the seemingly inexplicable crime sent shockwaves through Rome and beyond. What motivated such extreme violence? Were the killers evil or in the grip of societal evils? Did they know what they were doing? Or were they possessed? And if the latter, possessed by what?

Based on months of interviews, court documentation, and correspondence with the killers themselves, The City of the Living is not only a fast-paced, revelatory thriller in the style of Lisa Taddeo’s Animal, it is also a descent into the dark heart of Rome—a city that is unlivable and yet teeming with life, overrun by rats and wild animals, and plagued by corruption, drugs, and violence. Yet, the Eternal City is also a place that, more than any other in the world, seems to inspire a sense of absolute freedom in its inhabitants.

Proceeding in concentric circles, Nicola Lagioia leads us through a maze of betrayed expectations, sexual confusion, inability to grow up, economic grievances, crises of identity—progressively tightening the focus of the analysis to locate the breaking point after which anything is possible. As hypnotic as Erik Larson’s Devil in the White City, an heir to Truman Capote’s In Cold Blood, and destined to cast on spell on fans of the Morbid podcast, The City of the Living is Nicola Lagioia’s most gripping, bestselling, and critically acclaimed novel to-date. Razor-sharp, unputdownable, devastating, it is the story not only of a crime but of human nature itself; of the tension between responsibility and guilt, between the drive to oppress and the desire to be free; of who we are and who we can become.

Over the past twenty-five years, Naomi Klein has charted and documented our politics and culture with a series of trenchant bestselling books laying bare the effects of branding, austerity, and climate profiteering on our societies and souls.

With Doppelganger, Klein takes a more personal turn, braiding together elements of tragicomic memoir, chilling political reportage, and cobweb-clearing cultural analysis, as she dives deep into what she calls the Mirror World—our destabilized present rife with doubles and confusion, where far right movements playact solidarity with the working class, AI-generated content blurs the line between genuine and spurious, New Age wellness entrepreneurs turned anti-vaxxers further scramble our familiar political allegiances, and so many of us project our own carefully curated digital doubles out into the social media sphere. 

Klein begins this richly nuanced intellectual adventure story by grappling with her own doppelganger—a fellow author and public intellectual whose views are antithetical to Klein’s own, but whose name and public persona are sufficiently similar that many people have confused the two over the years. From there, she turns her gaze both inward to our psychic landscapes—drawing on the work of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, to name a few—and outward, to our intersecting economic, environmental, medical, and political crises. Ultimately seeking to escape the Mirror World and chart a path beyond confusion and despair, Klein delivers a revelatory treatment of the way many of us think and feel now.

It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life, and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems. 

Andrew Bogle meanwhile grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. He knows that the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.

The “Tichborne Trial”—wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title—captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task…

Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity, and the mystery of “other people.”

A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles.

There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body.

In this atmosphere of hidden wonders and cool, seductive violence, the chef’s boundaries undergo a thrilling erosion. Soon she is pushed to the center of a startling attempt to reshape the world far beyond the plate.

Sensuous and surprising, joyous and bitingly sharp, told in language as alluring as it is original, Land of Milk and Honey lays provocatively bare the ethics of seeking pleasure in a dying world. It is a daringly imaginative exploration of desire and deception, privilege and faith, and the roles we play to survive. Most of all, it is a love letter to food, to wild delight, and to the transformative power of a woman embracing her own appetite.

Nell—funny, brave and so much loved—is a young woman with adventure on her mind. As she sets out into the world, she finds her family history hard to escape. For her mother, Carmel, Nell’s leaving home opens a space in her heart, where the turmoil of a lifetime begins to churn. And across the generations falls the long shadow of Carmel’s famous father, an Irish poet of beautiful words and brutal actions.

This is a meditation on love: spiritual, romantic, darkly sexual or genetic. A generational saga that traces the inheritance not just of trauma but also of wonder, it is a testament to the glorious resilience of women in the face of promises false and true. Above all, it is an exploration of the love between mother and daughter – sometimes fierce, often painful, but always transcendent.

It’s 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It’s strictly the straight-and-narrow for him–until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire. But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated–and deadly.

1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney’s endearingly violent partner in crime. It’s getting harder to put together a reliable crew for hijackings, heists and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem. He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters and hit men. These adversaries underestimate the seasoned crook–to their regret.

1976. Harlem is burning, block by block, while the whole county is gearing up for Bicentennial celebrations. Carney is trying to come up with a July 4th ad he can live with. (“Two Hundred Years of Getting Away with It!”), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A. and rising politician Alexander Oakes. When a fire severely injures one of Carney’s tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent and the utterly corrupted.

Crook Manifesto is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family. Colson Whitehead’s kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but rather than face the music, he’s spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife Imelda is selling off her jewelry on eBay, while their teenage daughter Cass, formerly top of her class, seems determined to binge-drink her way through her final exams. And twelve-year-old PJ is putting the final touches to his grand plan to run away from home.

Where did it all go wrong? A patch of ice on the tarmac, a casual favor to a charming stranger, a bee caught beneath a bridal veil—can a single moment of bad luck change the direction of a life? And if the story has already been written—is there still time to find a happy ending?

Victor Sebestyen has written a sweeping, colorful and immersive history of the capital of Hungary, from the fifth century to the present day: a metropolis whose location in Europe has marked it as a crucial city—at times rich and prosperous, at times enduring unbearable hardship. It has stood at the center of the world-changing historical developments for hundreds of years: the Muslim invasion, The Reformation, both World Wars, fascism, the Holocaust and Communism.

Sebestyen mixes colorful details and anecdotes about the people, streets and neighborhoods of his hometown with its rich cultural legacy of literature, music, and architecture. He shows how its people have shifted culturally, politically and emotionally between East and West, through many revolutions, bloody battles, uprisings, and wars of conquest won and lost. He vividly brings to life the many rulers: the ruthless early Magyar, Hun, and Mongol chieftains, celebrated medieval kings and princes, Ottoman Turks, and the Hapsburgs, including the beloved Empress Elisabeth (“Sisi”). We also learn about colorful figures in politics, the arts and the sciences, among them Theodor Herzl, father of modern political Zionism; film pioneer Alexander Korda who held court with the director of Casablanca, Michael Curtiz, young reporter Billy Wilder, and photographer Robert Capa in the glamorous New York Café still going today; Edward Teller, inventor of the H bomb; and Countess Elisabeth Báthory, a cousin of the King of Poland, who became a serial killer, among many others.

Sebestyen’s compelling history of Budapest is a lively page-turner as well as being uniquely revelatory and authoritative account of one of the most important cities of Europe.

A young woman moves from the place of her birth to the remote northern country of her forebears to be housekeeper to her brother, whose wife has recently left him.

Soon after her arrival, a series of inexplicable events occurs – collective bovine hysteria; the demise of a ewe and her nearly born lamb; a local dog’s phantom pregnancy; a potato blight. She notices that the local suspicion about incomers in general seems to be directed with some intensity at her and she senses a mounting threat that lies ‘just beyond the garden gate.’ And as she feels the hostility growing, pressing at the edges of her brother’s property, she fears that, should the rumblings in the town gather themselves into a more defined shape, who knows what might happen, what one might be capable of doing.

With a sharp, lyrical voice, Sarah Bernstein powerfully explores questions of complicity and power, displacement and inheritance. Study for Obedience is a finely tuned, unsettling novel that confirms Bernstein as one of the most exciting voices of her generation.

A woman lies bedridden from a high fever. Suddenly she is struck with an urge to revisit a novel from her past. Inside the book is an inscription: a get-well-soon message from Johanna, an ex-girlfriend who is now a famous television host. As she flips through the book, pages from the woman’s own past begin to come alive, scenes of events and people she cannot forget.

There are moments with Johanna, and Niki, the friend who disappeared years ago without a phone number or an address and with no online footprint. There is Alejandro, who appears like a storm in precisely the right moment. And Brigitte, whose elusive qualities mask a painful secret.

The Details is a novel built around four portraits; the small details that, pieced together, comprise a life. Can a loved one really disappear? Who is the real subject of the portrait, the person being painted or the one holding the brush? Do we fully become ourselves through our connections to others? This exhilarating, provocative tale raises profound questions about the nature of relationships, and how we tell our stories. The result is an intimate and illuminating study of what it means to be human.

Like every other girl in her class, twelve-year-old Justine is drawn to her glamorous, charismatic new teacher and longs to be her pet. However, when a thief begins to target the school, Justine’s sense that something isn’t quite right grows ever stronger. With each twist of the plot, this gripping story of deception and the corrosive power of guilt takes a yet darker turn. Justine must decide where her loyalties lie.

Set in New Zealand in the 1980s and probing themes of racism, misogyny and the oppressive reaches of Catholicism, Pet will take a rightful place next to other classic portraits of childhood betrayal and psychological suspense: Peter Jackson’s Heavenly Creatures, Peter Weir’s Picnic at Hanging Rock, and Marilynne Robinson’s Housekeeping among them.

When a sensational killing rocks 1938 London, local newspaper ads offer a hefty sum to the person who can say whodunnit. A man has been shot dead at the top of a Ferris wheel, and his wife — the only other person in their carriage — insists on her innocence. But who else could have fired the deadly bullet and escaped unseen? The sheer implausibility of the claim is enough to whip the press into a frenzy and, for young and idealistic Edmund Ibbs, the lawyer representing the accused, that frenzy may be his only hope at discovering the truth of the mysterious murder.

As he digs into the case, Ibbs unwittingly enters a shadowy web of conspiracy and murder, soon finding himself implicated in not one but two other seemingly impossible crimes. First, a corpse appears out of thin air during a performance by a famed illusionist, then a second victim is mortally wounded in a locked dressing room backstage.

Edmund is in exactly the wrong place at the wrong time, attracting the suspicion of Scotland Yard inspector George Flint. His only hope at freedom comes in the form of retired stage magician Joseph Spector, a man steeped in the art of misdirection, who happens to be in the audience for the deadly show. Spector’s mastery of illusion is capable of piercing the veil of deceit, but will his deductive powers be strong enough to explain this utterly confounding series of crimes?

Featuring a puzzling plot with a brilliant and fairly clued solution, The Murder Wheel is a delightful homage to the Golden Age mystery sure to please fans of classic crime fiction; Tom Mead’s atmospheric writing and memorable, complex characters prove him to be one of the best new talents in the historical mystery of today.

For all of human history, the deep ocean has been a source of wonder and terror, an unknown realm that evoked a singular, compelling question: What’s down there? Unable to answer this for centuries, people believed the deep was a sinister realm of fiendish creatures and deadly peril. But now, cutting-edge technologies allow scientists and explorers to dive miles beneath the surface, and we are beginning to understand this strange and exotic underworld:  A place of soaring mountains, smoldering volcanoes, and valleys 7,000 feet deeper than Everest is high, where tectonic plates collide and separate, and extraordinary life forms operate under different rules. Far from a dark void, the deep is a vibrant realm that’s home to pink gelatinous predators and shimmering creatures a hundred feet long and ancient animals with glass skeletons and sharks that live for half a millennium—among countless other marvels.

Susan Casey is our premiere chronicler of the aquatic world. For The Underworld she traversed the globe, joining scientists and explorers on dives to the deepest places on the planet, interviewing the marine geologists, marine biologists, and oceanographers who are searching for knowledge in this vast unseen realm. She takes us on a fascinating journey through the history of deep-sea exploration, from the myths and legends of the ancient world to storied shipwrecks we can now reach on the bottom, to the first intrepid bathysphere pilots, to the scientists who are just beginning to understand the mind-blowing complexity and ecological importance of the quadrillions of creatures who live in realms long thought to be devoid of life.

Throughout this journey, she learned how vital the deep is to the future of the planet, and how urgent it is that we understand it in a time of increasing threats from climate change, industrial fishing, pollution, and the mining companies that are also exploring its depths. The Underworld is Susan Casey’s most beautiful and thrilling book yet, a gorgeous evocation of the natural world and a powerful call to arms.

In South Korea, a 105-year-old woman receives a letter. Ten days later, she has been thrust into the afterlife, fighting to head off a curse that will otherwise devastate generations to come.

Hak Jeonga has always shouldered the burden of upholding the family name. When she sent her daughter-in-law to America to cover up an illegitimate birth, she was simply doing what was needed to preserve the reputations of her loved ones. How could she have known that decades later, this decision would return to haunt her—threatening to tear apart her bond with her beloved son, her relationship with her infuriatingly insolent sisters, and the future of the family she has worked so hard to protect?

Part ghost story and part family epic, The Apology is an incisive tale of sisterhood and diaspora, reaching back to the days of Japanese colonialism and the Korean War, and told through the singular voice of a defiant, funny, and unforgettable centenarian.

Alina and Laura are independent and career-driven women in their mid-thirties, neither of whom have built their future around the prospect of a family. Laura is so determined not to become a mother that she has taken the drastic decision to have her tubes tied. But when she announces this to her friend, she learns that Alina has made the opposite decision and is preparing to have a child of her own.

Alina’s pregnancy shakes the women’s lives, first creating distance and then a remarkable closeness between them. When Alina’s daughter survives childbirth – after a diagnosis that predicted the opposite – and Laura becomes attached to her neighbor’s son, both women are forced to reckon with the complexity of their emotions, their needs, and the needs of the people who are dependent upon them.

In prose that is as gripping as it is insightful, Guadalupe Nettel explores maternal ambivalence with a surgeon’s touch, carefully dissecting the contradictions that make up the lived experiences of women.

Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.

But Flor isn’t the only person with secrets: her sisters are hiding things, too. And the next generation, cousins Ona and Yadi, face tumult of their own.

Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come.

In the spring of 2020, Lara’s three daughters return to the family’s orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.

There’s no doubt that our world has gotten more extreme. Pandemics, climate change, superpower rivalries, cyberattacks, political radicalization—virtually, everywhere we look there is mayhem bearing down on us, putting trillions of assets at risk.

And at least two factions have formed around how to respond. In Chaos Kings, Scott Patterson depicts how one faction, led by Nassim Nicholas Taleb, bestselling author of The Black Swan, believes humans can never see the big disaster coming. In their view, extreme events—so-called Black Swans—while inevitable, will always catch us by surprise. In 2007, Taleb’s longtime collaborator, Mark Spitznagel, launched the Universa hedge fund, which would go on to make billions protecting investors against unforeseen chaos in the market.

A second faction, which relies on complex formulas, believes looming chaos can be detected. Chief among these risk prognosticators is Didier Sornette, a colorful French mathematician who enjoys riding his motorcycle at speeds in excess of 170 miles per hour. When Sornette looks out from what he calls his Financial Crisis Observatory in Zurich, Switzerland, what he sees are Dragon Kings—punishing events that are unlikely to occur but have probabilities that can be predicted…and defended against.

Which faction is right? All of our financial futures may depend on the answer.

In Springfield, Massachusetts in 1651, peculiar things begin to happen. Precious food spoils, livestock ails, property vanishes, and people suffer convulsions as if possessed by demons. A woman is seen wading through the swamp like a lost soul. Disturbing dreams and visions proliferate. Children sicken and die. As tensions rise, rumours spread of witches and heretics and the community becomes tangled in a web of distrust, resentment and denunciation. The finger of suspicion soon falls on a young couple with two small children: the prickly brickmaker, Hugh Parsons, and his troubled wife, Mary.

Drawing on rich, previously unexplored source material, Malcolm Gaskill vividly evokes a strange past, one where lives were steeped in the divine and the diabolic, in omens, curses and enchantments. The Ruin of All Witches captures an entire society caught in agonized transition between superstition and enlightenment, tradition and innovation.

As a brilliant art critic and historian, Laura Cumming has explored the importance of art in life and can give us a perspective on the time and place in which the artist worked. Now, through the lens of one dramatic event in 17th century Holland, Cumming illuminates one of the most celebrated periods in art history.

In 1654, an enormous explosion at a gunpowder store devasted the city of Delft, killing hundreds of people and injuring thousands more. Among those killed was the extraordinary painter Carel Fabritius, renowned for his paintings The Goldfinch and his haunting masterpiece A View of Delft, which depicts the very streets through which the victims would be carried to their graves. Fabritius’s contemporary and rival Vermeer, painter of the iconic portrait Girl with a Pearl Earring, narrowly escaped death.

Framing the story around Fabritius’s life, Cumming deftly weaves a sequence of observations about paintings and how they relate to everyday life. Like Dutch art itself, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our views, and understanding of the world is the heart of this book and Cumming has brought her unique eye to her most compelling subject yet.

Featuring beautiful full-color images of Dutch paintings throughout, this is a stunningly rich book about one of the most vibrant periods in European art and life.

Bob Comet is a retired librarian passing his solitary days surrounded by books and small comforts in a mint-colored house in Portland, Oregon. One morning on his daily walk he encounters a confused elderly woman lost in a market and returns her to the senior center that is her home. Hoping to fill the void he’s known since retiring, he begins volunteering at the center. Here, as a community of strange peers gathers around Bob, and following a happenstance brush with a painful complication from his past, the events of his life and the details of his character are revealed.

Behind Bob Comet’s straight-man façade is the story of an unhappy child’s runaway adventure during the last days of the Second World War, of true love won and stolen away, of the purpose and pride found in the librarian’s vocation, and of the pleasures of a life lived to the side of the masses. Bob’s experiences are imbued with melancholy but also a bright, sustained comedy; he has a talent for locating bizarre and outsized players to welcome onto the stage of his life.

With his inimitable verve, skewed humor, and compassion for the outcast, Patrick deWitt has written a wide-ranging and ambitious document of the introvert’s condition. The Librarianist celebrates the extraordinary in the so-called ordinary life, and depicts beautifully the turbulence that sometimes exists beneath a surface of serenity.

New York City, 1966. Seventeen-year-old Mae lives in a rundown apartment with her alcoholic mother and her mother’s sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol.

Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae’s life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her.

For readers of Ottessa Moshfegh and Mary Gaitskill, this blistering, mordantly funny debut novel brilliantly interrogates the nature of friendship and independence and the construction of art and identity. Nothing Special is a whip-smart coming-of-age story that brings to life the experience of young girls in this iconic and turbulent American moment.

A year into her dream job at a cutthroat Silicon Valley start-up, Cassie finds herself trapped in a corporate nightmare. Between the long hours, toxic bosses, and unethical projects, she also struggles to reconcile the glittering promise of a city where obscene wealth lives alongside abject poverty and suffering. Ivy League grads complain about the snack selection from a conference room with a view of unhoused people bathing in the bay. Start-up burnouts leap into the paths of commuter trains, and men literally set themselves on fire in the streets.

Though isolated, Cassie is never alone. From her earliest memory, a miniature black hole has been her constant companion. It feeds on her depression and anxiety, growing or shrinking in relation to her distress. The black hole watches, but it also waits. Its relentless pull draws Cassie ever closer as the world around her unravels.

When she ends up unexpectedly pregnant at the same time her CEO’s demands cross into illegal territory, Cassie must decide whether the tempting fruits of Silicon Valley are really worth it. Sharp but vulnerable, unsettling yet darkly comic, Ripe portrays one millennial woman’s journey through our late-capitalist hellscape and offers a brilliantly incisive look at the absurdities of modern life.

A daring novel about love and death and what lies between; a ghost story set in the 19th and 21st centuries; an elegiac consideration of grief, devotion (filial and romantic) and the vanishing and persistence of all things–seen and unseen.

A teacher visiting his dying brother in the Bronx. A mysterious journal from the 19th century stolen from a boarding house. A therapy clown and an assassin both presumed dead but perhaps not dead at all . . .

A meditation on what it means to be haunted by the past. To what extent–both in our national history and in the heart–does life persist on into death and vice versa?

With her distinctive, irresistible wordplay and singular wry humor and wisdom, Moore deftly reveals how, even in death, it’s life that reverberates.

Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers, siblings and the stories we have all been told, which may or may not be true but that take us on a windswept, imagined journey into the tragic-comic landscape that is, unmistakably, the Lorrie Moore Zone.

A plastic box with a lightbulb attached may seem like an odd birthday present. But for ecologist Tim Blackburn, a moth trap is a captivating window into the world beyond the roof terrace of his London flat. Whether gaudy or drab, rare or common, each moth ensnared by the trap is a treasure with a story to tell. In The Jewel Box, Blackburn introduces these mysterious visitors, revealing how the moths he catches reflect hidden patterns governing the world around us.

With names like the Dingy Footman, Jersey Tiger, Pale Mottled Willow, and Uncertain, and at least 140,000 identified species, moths are fascinating in their own right. But no moth is an island—they are vital links in the web of life. Through the lives of these overlooked insects, Blackburn introduces a landscape of unseen ecological connections. The flapping of a moth’s wing may not cause a hurricane, but it is closely tied to the wider world, from the park down the street to climatic shifts across the globe.

Through his luminous prose and infectious sense of curiosity, Blackburn teaches us to see—and respect—the intricate web of nature in which we’re all caught. The Jewel Box shows us how the contents of one small box can illuminate the workings of all nature.

In an unnamed town in the summer of 1998, Judy is an isolated and inexperienced teenager on the cusp of adulthood struggling to craft an identity for herself—especially as the artist she wants to be.

There is little help around her. Her only friends are increasingly obsessed with a cultish belief in a coming “Big Shadow.” Her mother is afraid of life and finds solace in TV shows. At her lowest point, Judy meets Maurice Blunt, a visiting summer poetry class professor who is a “has-been” fixture of the 1970s NYC punk music scene. Judy believes Maurice—a man more than twice her age desperately seeking lost adoration—is the ticket out of her current life. Soon, she begins taking secret weekend trips to visit him.

Judy’s visits to his apartment in New York bring hopes of belonging to the city’s cultural world and making a living as a video artist. With each trip and frustrated promise, however, she feels the creeping realization that there is a price to pay for her golden ticket entry into this insular and moribund scene. Judy must navigate the shifting power dynamics with her aging gatekeeper and the possibility of building an early adult identity alone.

An affecting novel of psychological nuance and dark humour, Big Shadow explores the costs of self-deceit, fandom, and tenuous ambitions, exposing the lies we’ll tell ourselves and the promises we’ll make to edge closer to what we want… or what we think we want.