As a brilliant art critic and historian, Laura Cumming has explored the importance of art in life and can give us a perspective on the time and place in which the artist worked. Now, through the lens of one dramatic event in 17th century Holland, Cumming illuminates one of the most celebrated periods in art history.

In 1654, an enormous explosion at a gunpowder store devasted the city of Delft, killing hundreds of people and injuring thousands more. Among those killed was the extraordinary painter Carel Fabritius, renowned for his paintings The Goldfinch and his haunting masterpiece A View of Delft, which depicts the very streets through which the victims would be carried to their graves. Fabritius’s contemporary and rival Vermeer, painter of the iconic portrait Girl with a Pearl Earring, narrowly escaped death.

Framing the story around Fabritius’s life, Cumming deftly weaves a sequence of observations about paintings and how they relate to everyday life. Like Dutch art itself, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our views, and understanding of the world is the heart of this book and Cumming has brought her unique eye to her most compelling subject yet.

Featuring beautiful full-color images of Dutch paintings throughout, this is a stunningly rich book about one of the most vibrant periods in European art and life.

Bob Comet is a retired librarian passing his solitary days surrounded by books and small comforts in a mint-colored house in Portland, Oregon. One morning on his daily walk he encounters a confused elderly woman lost in a market and returns her to the senior center that is her home. Hoping to fill the void he’s known since retiring, he begins volunteering at the center. Here, as a community of strange peers gathers around Bob, and following a happenstance brush with a painful complication from his past, the events of his life and the details of his character are revealed.

Behind Bob Comet’s straight-man façade is the story of an unhappy child’s runaway adventure during the last days of the Second World War, of true love won and stolen away, of the purpose and pride found in the librarian’s vocation, and of the pleasures of a life lived to the side of the masses. Bob’s experiences are imbued with melancholy but also a bright, sustained comedy; he has a talent for locating bizarre and outsized players to welcome onto the stage of his life.

With his inimitable verve, skewed humor, and compassion for the outcast, Patrick deWitt has written a wide-ranging and ambitious document of the introvert’s condition. The Librarianist celebrates the extraordinary in the so-called ordinary life, and depicts beautifully the turbulence that sometimes exists beneath a surface of serenity.

New York City, 1966. Seventeen-year-old Mae lives in a rundown apartment with her alcoholic mother and her mother’s sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol.

Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae’s life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her.

For readers of Ottessa Moshfegh and Mary Gaitskill, this blistering, mordantly funny debut novel brilliantly interrogates the nature of friendship and independence and the construction of art and identity. Nothing Special is a whip-smart coming-of-age story that brings to life the experience of young girls in this iconic and turbulent American moment.

A year into her dream job at a cutthroat Silicon Valley start-up, Cassie finds herself trapped in a corporate nightmare. Between the long hours, toxic bosses, and unethical projects, she also struggles to reconcile the glittering promise of a city where obscene wealth lives alongside abject poverty and suffering. Ivy League grads complain about the snack selection from a conference room with a view of unhoused people bathing in the bay. Start-up burnouts leap into the paths of commuter trains, and men literally set themselves on fire in the streets.

Though isolated, Cassie is never alone. From her earliest memory, a miniature black hole has been her constant companion. It feeds on her depression and anxiety, growing or shrinking in relation to her distress. The black hole watches, but it also waits. Its relentless pull draws Cassie ever closer as the world around her unravels.

When she ends up unexpectedly pregnant at the same time her CEO’s demands cross into illegal territory, Cassie must decide whether the tempting fruits of Silicon Valley are really worth it. Sharp but vulnerable, unsettling yet darkly comic, Ripe portrays one millennial woman’s journey through our late-capitalist hellscape and offers a brilliantly incisive look at the absurdities of modern life.

A daring novel about love and death and what lies between; a ghost story set in the 19th and 21st centuries; an elegiac consideration of grief, devotion (filial and romantic) and the vanishing and persistence of all things–seen and unseen.

A teacher visiting his dying brother in the Bronx. A mysterious journal from the 19th century stolen from a boarding house. A therapy clown and an assassin both presumed dead but perhaps not dead at all . . .

A meditation on what it means to be haunted by the past. To what extent–both in our national history and in the heart–does life persist on into death and vice versa?

With her distinctive, irresistible wordplay and singular wry humor and wisdom, Moore deftly reveals how, even in death, it’s life that reverberates.

Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers, siblings and the stories we have all been told, which may or may not be true but that take us on a windswept, imagined journey into the tragic-comic landscape that is, unmistakably, the Lorrie Moore Zone.