On a cold day in March of 1911, officials marched twelve Black men into the heart of a forest in Maryland. Under the supervision of a doctor, the men were forced to clear the land, pour cement, lay bricks, and harvest tobacco. When construction finished, they became the first twelve patients of the state’s Hospital for the Negro Insane. For centuries, Black patients have been absent from our history books. Madness transports readers behind the brick walls of a Jim Crow asylum.

In Madness, Peabody and Emmy award-winning journalist Antonia Hylton tells the 93-year-old history of Crownsville Hospital, one of the last segregated asylums with surviving records and a campus that still stands to this day in Anne Arundel County, Maryland. She blends the intimate tales of patients and employees whose lives were shaped by Crownsville with a decade-worth of investigative research and archival documents. Madness chronicles the stories of Black families whose mental health suffered as they tried, and sometimes failed, to find safety and dignity. Hylton also grapples with her own family’s experiences with mental illness, and the secrecy and shame that it reproduced for generations.

As Crownsville Hospital grew from an antebellum-style work camp to a tiny city sitting on 1,500 acres, the institution became a microcosm of America’s evolving battles over slavery, racial integration, and civil rights. During its peak years, the hospital’s wards were overflowing with almost 2,700 patients. By the end of the 20th-century, the asylum faded from view as prisons and jails became America’s new focus.

In Madness, Hylton traces the legacy of slavery to the treatment of Black people’s bodies and minds in our current mental healthcare system. It is a captivating and heartbreaking meditation on how America decides who is sick or criminal, and who is worthy of our care or irredeemable.

August, 1943. Fourteen-year-old Massimo is all alone. Newly orphaned and fleeing from Rome after surviving the American bombing raid that killed his parents, Massimo is attacked by thugs and finds himself bloodied at the base of the Montecassino. It is there in the Benedictine abbey’s shadow that a charismatic and cryptic man calling himself Pietro Houdini, the self-proclaimed “Master Artist and confidante of the Vatican,” rescues Massimo and brings him up the mountain to serve as his assistant in preserving the treasures that lay within the monastery walls.

But can Massimo believe what Pietro is saying, particularly when Massimo has secrets too? Who is this extraordinary man? When it becomes evident that Montecassino will soon become the front line in the war, Pietro Houdini and Massimo execute a plan to smuggle three priceless Titian paintings to safety down the mountain. They are joined by a nurse concealing a nefarious past, a café owner turned murderer, a wounded but chipper German soldier, and a pair of lovers along with their injured mule, Ferrari. Together they will lie, cheat, steal, fight, kill, and sin their way through battlefields to survive, all while smuggling the Renaissance masterpieces and the bag full of ancient Greek gold they have rescued from the “safe keeping” of the Germans.

Heartfelt, powerfully engaging, and in the tradition of City of Thieves by David Benioff, The Curse of Pietro Houdini is a work of storytelling bravado: a thrilling action-packed adventure heist, an imaginative chronicle of forgotten history, and a philosophical coming-of-age epic where a child navigates one of the most enigmatic and morally complex fronts of World War II and lives to tell the tale.

One evening, as a young boy growing up in Benghazi, Khaled hears a bizarre short story read aloud on the radio and has the sense that his life has been changed forever. Obsessed by the power of those words—and by their enigmatic author, Hosam Zawa—Khaled eventually embarks on a journey that will take him far from home, to pursue a life of the mind at the University of Edinburgh.

There, thrust into an open society that is light years away from the world he knew in Libya, Khaled begins to change. He attends a protest against the Qaddafi regime in London, only to watch it explode in tragedy. In a flash, Khaled finds himself injured, clinging to life, an exile, unable to leave England. To even tell his mother and father back home what he has done, on tapped phone lines, would mark them for death.

When a chance encounter in a hotel brings Khaled face to face with Hosam Zawa, the author of the fateful short story, he is subsumed into the deepest friendship of his life. It is a friendship that not only sustains him, but eventually forces him, as the Arab Spring erupts, to confront agonizing tensions between revolution and safety, family and exile, and how to define his own sense of self against those closest to him.

A devastating meditation on friendship and family, and the ways in which time tests—and frays—those bonds, My Friends is an achingly beautiful work of literature by an author working at the peak of his powers.